“Mother Nature is doing her best to destroy that area (Africa)—it’s slop! Just in the last few years, he’s sent every plague, war, famine, drought, anything she can do to mute Africa!” (David Vincent of Morbid Angel, published in Kerrang! #440, April 24, 1993, pp.48–49)
Here, if "Mother Nature" were replaced with the word "God", then one could hardly distinguish the statement from most evangelist preachers today. Many fans of metal and alternative life-styles really fancy themselves as rebels, as having rejected mainstream Christianity with their "edgy paganism" or "satanism", and so on. But what here is really different besides the name they bestow upon their "God"? They prefer the words used by ancient "European" pagan tribes when these primitive tribes still thought thunderstorms were punishments, and they worshiped nature, believing various aspects of nature are due to various gods.
But here where these alternative spiritualists assert this absolute difference between themselves and Christianity, one has to notice that it is exactly the opposite: an identity. Vincent makes the exact same move Christians do in relation to their God. (Historically, it was the other way around as paganism and this nature religion came first in time before Christianity, which simply made a further step in Abstraction in the various conceptions paganism and nature religions had turned into dogmas.) Vincent conceives of "Mother Nature" as if it were a subject, and takes Darwinian "natural selection" as if Nature is a subject -- a God or "life force" with reason, purpose, telos and so on -- that is selecting who is worthy of life ("Survival of the fittest"). As if "nature" (an abstraction, sometimes describing real processes, sometimes not) is a subject with Will. Put simply: a crude anthropomorphism is taking place where features that belong to human consciousness are projected onto nature. What happens in nature is then retroactively projected backwards as if nature was a subject selecting for what happened due to random occurrence.
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